Monday, April 7, 2014

Quatrain #30: Syzygy & Syncopation

Syzygy is a term used in poetry to define rhythmic structure [meter] of a verse, but it is also a term used to define the perception of a linear configuration of three or more celestial bodies in a gravitational system. Let's say for example that one evening you saw the planets Jupiter, Venus, and Mercury in proximity to one another — it's a syzygy.

Originally inspired and constructed to illustrate the post I made in December 2013 about interdisciplinary skills, I re-titled and re-contextualized this quatrain here, and then inserted a new image in that post because it's simply a better fit here in the larger scheme of things. The intention is to bring the idea front and center that images have tremendous agility to change meaning and metaphor based on their respective viewing context, and that sometimes they simply offer stronger visual impact when they are viewed in a specific order or sequence.

Each quatrain has syzygy, and for certain some more so than others, like this one, but the project as a whole offers the viewer syzygy, too. Perhaps a better term to describe some of the connective tissue of the project is syncopation, which more commonly defines how music sometimes uses irregularities to make all or part of a composition unified. The placement of irregular notes, beats, or rhythms [visual threads or accents] are critical components that help tie the whole thing together. My intent here is to overlay the concept because it functions very similarly with visual art.

Take a closer look at how not only this assembly fits into the continuum, but how they visually flow from start to finish thus far, and you might see what I mean. One of the intriguing aspects of this process is that the "project's score" just keeps moving forward to wander, wonder, and find the common, the unusual, and the unexpected confluence of language, visual flow and unification.

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